Sarah Iremonger uses a multimedia approach of found, created and adapted images, including photographs, murals, painting, drawing, badges, cards, digital media, video and neon in her work.  Based in Kinsale, Co. Cork, Ireland, early works are embedded in the romantic and modernist traditions, with epic implications.

Attempting to attain some kind of entanglement with the world, later works include site-specific installations, which explore, ideas of representation and how, as a hangover of the romantic tradition, representation perpetuates a scenario of our separation from the world around us, the nature verses culture dichotomy. A recent return to painting, focuses on the appropriation and adaptation of found images, as a sort of thought experiment through painting, which places subject matter and personal artistic expression in the background, so that visual signifiers become hidden in a forest of post-representational camouflage.