Sarah Iremonger

Nothing 1998-2003
Sarah Iremonger Nothing 1998-2003 T-shirts, hat, fleece jacket, silver identity necklace, jewellery box, embroidered name tags
Nothing
1999
T-shirts, hat, fleece jacket, silver identity necklace, jewellery box, embroidered name tags
Variable

This work was a commentary on identity politics and branding.
Sarah Iremonger Nothing 1998-2003 Silver identity necklace
Nothing / identity necklace
1999
Silver identity necklace
6 cm wide

This work was a commentary on identity politics and branding.
Sarah Iremonger Nothing 1998-2003 Silver identity necklace, jewellery box
Nothing / identity necklace
1999
Silver identity necklace, jewellery box
6 cm wide

This work was a commentary on identity politics and branding.
Sarah Iremonger Nothing 1998-2003 T-shirt, embroidered name tag
Nothing
1999
T-shirt, embroidered name tag
Variable

This work was a commentary on identity politics and branding.
Sarah Iremonger Nothing 1998-2003 T-shirts, embroidered name tags
Nothing / t-shirts
1999
T-shirts, embroidered name tags
Variable

This work was a commentary on identity politics and branding.
Sarah Iremonger Nothing 1998-2003 Hat, embroidered name tag
Nothing / hat
1999
Hat, embroidered name tag
Variable

This work was a commentary on identity politics and branding.
Sarah Iremonger Nothing 1998-2003 Art book, plinth, brass plaque
Now and Forever
1999
Art book, plinth, brass plaque
40 x 40 x 96 cm

The Art Book represents art history in a non hierarchical fashion, using the alphabet as its modus operandi. This and the fact that all the illustrations are the same size, creates a timeless, placeless space for art to exist.
Sarah Iremonger Nothing 1998-2003 Inscribed brass plaque
Now and Forever / detail
1999
Inscribed brass plaque
3.5 x 18 cm

The Art Book represents art history in a non hierarchical fashion, using the alphabet as its modus operandi. This and the fact that all the illustrations are the same size, creates a timeless, placeless space for art to exist.
Sarah Iremonger Nothing 1998-2003 Found painting, poster, postcards, fridge magnet, astro turf, photograph frame, wood-chip wall paper, stretchers, household paint, acrylic paint, mdf boards
A day in the country
1999
Found painting, poster, postcards, fridge magnet, astro turf, photograph frame, wood-chip wall paper, stretchers, household paint, acrylic paint, mdf boards
Variable

This work was a play on associations and representation.
Sarah Iremonger Nothing 1998-2003 Astro turf, stretcher
Green Light
1999
Astro turf, stretcher
63 x 47 cm

A reference to my earlier oil on canvas on board works and a play on association and representation. The astro turf represents nature.
Sarah Iremonger Nothing 1998-2003 Found postcards, photographs
Untitled
1999
Found postcards, photographs
16 x 52 cm

This work was a play on associations and representation.
Sarah Iremonger Nothing 1998-2003 Photographs, photocopies of photographs, black paper, text
Portfolio
1999
Photographs, photocopies of photographs, black paper, text
90 x 126 cm

Here I was experimenting with the idea that the documentation of work could become an art work. The representation of a representation......
Sarah Iremonger Nothing 1998-2003 Printed flyer
Studio Sale / flyer / installation view
1998
Printed flyer
30 x 21 cm (ea)

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Printed flyer
Studio Sale / flyer
1998
Printed flyer
21 x 30 cm

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Printed flyer
Studio Sale / flyer
1998
Printed flyer
21 x 30 cm

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Computer, desk, flyers, labels
Studio Sale / computer
1998
Computer, desk, flyers, labels
Variable

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Studio view
Studio Sale
1998
Studio view
Variable

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Oil on canvas, prints, acrylic on paper, labels
Studio Sale / paintings
1998
Oil on canvas, prints, acrylic on paper, labels
Variable

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Oil on canvas, acrylic on paper, labels
Studio Sale / paintings
1998
Oil on canvas, acrylic on paper, labels
Top row various, middle row 30 x 41 cm (ea), bottom row 24 x 30 cm (ea)

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Mixed media, portfolios, labels
Studio Sale / portfolios
1998
Mixed media, portfolios, labels
Variable

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Mixed media, portfolios, labels
Studio Sale / portfolios
1998
Mixed media, portfolios, labels
Variable

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Mixed media, portfolio, label
Studio Sale / portfolio label
1998
Mixed media, portfolio, label
Variable

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Oil on canvas, labels, wrapping paper
Studio Sale / listed and labeled paintings
1998
Oil on canvas, labels, wrapping paper
30 x 41 cm (ea)

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Slides, labels
Studio Sale / documentation of work listed and labeled
1998
Slides, labels
35 mm

My entire works up to this point were listed, catalogued, priced and labeled. Exhibited as part of Art Trail 1998.
Sarah Iremonger Nothing 1998-2003 Pen on paper, photographs, photocopies, text, postcards, black and white paper
A Practical Handbook for the Making of Artworks
1999 - 2003
Pen on paper, photographs, photocopies, text, postcards, black and white paper
30 x 21 cm, 110 pages

Also titled 'The Quandary of Painting' this was an unbound visual book in four chapters: Representation?, The Grid (Failed Representation?), History Possibility? and Nothing. This work explored ideas for the making of artworks, some were realised, some were not and some are still being realised.
Sarah Iremonger Nothing 1998-2003 Photograph, pen on paper
A Practical Handbook for the Making of Artworks / detail
1998 - 2003
Photograph, pen on paper
30 x 21 cm (ea)

Also titled 'The Quandary of Painting' a photograph of a shadow theatre juxtaposed with text reading 'Title - Description or Subject / Description of Subject / Name of Artist / Title as Artist etc.' from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm (ea)

Also titled 'The Quandary of Painting' text exploring the idea of creating an exhibition from chapter 3 History Possibility?
Sarah Iremonger Nothing 1998-2003 Photographs
A Practical Handbook for the Making of Artworks / detail
2003
Photographs
30 x 21 cm (ea)

Also titled 'The Quandary of Painting' photographs from the National Gallery in Berlin, photographs of people looking at artworks from chapter 3 History Possibility?
Sarah Iremonger Nothing 1998-2003 Collaged postcard
A Practical Handbook for the Making of Artworks / detail
1999
Collaged postcard
30 x 21 cm (ea)

Also titled 'The Quandary of Painting' collaged postcard from the Crawford Art Gallery, Cork from chapter 3 History Possibility?
Sarah Iremonger Nothing 1998-2003 Collaged postcard
A Practical Handbook for the Making of Artworks / detail
1999
Collaged postcard
30 x 21 cm

Also titled 'The Quandary of Painting' collaged postcard from the Crawford Art Gallery, Cork from chapter 3 History Possibility?
Sarah Iremonger Nothing 1998-2003 Collaged postcard
A Practical Handbook for the Making of Artworks / detail
1999
Collaged postcard
30 x 21 cm (ea)

Also titled 'The Quandary of Painting' collaged postcard from the Crawford Art Gallery, Cork from chapter 3 History Possibility?
Sarah Iremonger Nothing 1998-2003 Collaged postcards
A Practical Handbook for the Making of Artworks / detail
1999
Collaged postcards
30 x 21 cm (ea)

Also titled 'The Quandary of Painting' collaged postcards from the Crawford Art Gallery, Cork from chapter 3 History Possibility?
Sarah Iremonger Nothing 1998-2003 Collaged postcard
A Practical Handbook for the Making of Artworks / detail
1999
Collaged postcard
30 x 21 cm

Also titled 'The Quandary of Painting' collaged postcard from the Crawford Art Gallery, Cork from chapter 3 History Possibility?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm (ea)

Also titled 'The Quandary of Painting' 'Story of a Painting' using a monochrome painting and a painting of text, framed by mirrors from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1998
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' drawing of a found charity shop painting 'A Winters Day / This is Not a Winters Day' from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1998
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' drawing of a found charity shop painting 'A Winters Day / This is Not a Winters Day' from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Any Time Any Place' an abstract painting using different types of paint on a single canvas from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Any Time Any Place' an interlocking abstract painting using different types of paint on a single canvas from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Any Time Any Place' a layered abstract painting using different types of paint on a single canvas from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1998
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' top 'Sky Piece' a monochrome painting and below an abstract installation using different types of paint on various boards, with associations to the sky from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1998
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Water Piece' two monochrome paintings and an installation using different types of paint on various boards, with associations to water from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1998
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Visual Language / Word Association' from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1998
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Fragmented Landscapes' from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'The Tragic Failure and Absurdity of Representation in Painting' from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Landscape' after J. Constable from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
2001
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Abstract / Fragmented Landscape' after J. Constable as an installation using different types of paint on various canvases and boards from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Fragmented Matisse' from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Painting as Art Space' from chapter 2 The Grid (Failed Representation?)
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Shell, Bark, Sea Swirl, Coral, Waves, Waterfall' using embossed wallpapers and a brass plaque from chapter 2 The Grid (Failed Representation?).
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1998
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Illusion Light Piece' an installation for a darkened room from chapter 3 History Possibility?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1998
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Arranged for Understanding' drawing from a photograph of a stairway in the London underground from chapter 1 Representation?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Now and Forever' The Art Book from chapter 3 History Possibility?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'The Art Painting' painted text of the list of artists names from The Art Book from chapter 3 History Possibility?
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Art is for You' letters mapped out through stencils from a mailing list from Chapter 4 Nothing.
Sarah Iremonger Nothing 1998-2003 Pen on paper
A Practical Handbook for the Making of Artworks / detail
1999
Pen on paper
30 x 21 cm

Also titled 'The Quandary of Painting' 'Artists Help Line' an advertisement placed in the Evening Echo newspaper from Chapter 4 Nothing.